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mrissa ([personal profile] mrissa) wrote2025-07-01 06:08 am
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Books read, late June

 

Syr Hayati Beker, What a Fish Looks Like. Discussed elsewhere.

A.S. Byatt, The Virgin in the Garden. Weirdly I had read books 2-4 of this series and not this one. It worked perfectly well that way, and I think for some people I'd even recommend it, because this one is substantially about teachers attempting (and often succeeding) in sleeping with their teenage girl students and a mental health crisis not being responsibly addressed. All of it is very period-appropriate for the early 1950s, all of it is beautifully observed and written about. It still had the "I want to keep reading this" nature that her prose always does for me. And Lord knows Antonia Byatt was there and knew how it all went down in that era. It's just that if you want to do without this bit, it'll be fine, it really is about those things and it's really okay to not want to do that on a particular day.

William Dalrymple, The Golden Road: How Ancient India Transformed the World. This is largely How Buddhism Transformed the World and a little bit of How Hinduism Transformed the World. There is a tiny bit about math and a few references to astronomy without a lot of detail. If you're looking for how Ancient Indian religions transformed the world, that's an interesting topic and this is so far as I, a non-expert, can tell, well done on it. But I wanted more math, astronomy, and other cultural influences.

Robert Darnton, The Writer's Lot: Culture and Revolution in Eighteenth-Century France. Comparing the economic situations and lifestyles of several writers of the era--how they lived, how they were able to live, how they wrote. Also revisiting some of his own early-career analysis in an interesting way I'd like to see more of from other authors. Should this be your first Darnton: no probably not. Should you read some Darnton and also this: quite possibly.

J. R. Dawson, The First Bright Thing. Reread. Still gut-wrenching and bright, superpowers and magic circus and found family, what we can change and what we can't. Reread for an event I'll tell you about soon.

Reginald Hill, Arms and the Women, Death's Jest Book, Dialogues of the Dead, and Good Morning, Midnight. Rereads. Well into the meat of the series on this reread now. The middle two are basically one book in two volumes, which the rest of the series does not do, and also they feature a character I really hate, so I kept on for one more to clear the taste of that character out of my brain. Still all worth reading/rereading, of course; they also have the "I just want to keep reading this prose" quality, though in a very different way than Byatt. Really glad we've gotten to the part of the series with contrasting younger cop characters.

Vidar Hreinsson, Wakeful Nights: Stefan G. Stefansson: Icelandic-Canadian Poet. Kindle. This is the kind of biography that is more concerned with comprehensive accounts of where its subject went and what he did and who he talked to than with overarching themes, so if you're not interested in Stefansson in particular or anti-war/immigrant Canadian poets in the early 20th more generally, will be very tedious.

Deanna Raybourn, Killers of a Certain Age. Recently retired assassins discover that their conglomerate is attempting to retire them. Good times, good older female friendships, not deep but fun.

Clay Risen, Red Scare: Blacklists, McCarthyism, and the Making of Modern America. Very straightforwardly what it says on the tin. Recognizes clearly the lack of angels involved without valorizing the people destroying other people's lives on shady evidence.

Caitlin Rozakis, The Grimoire Grammar School Parent Teacher Association. When Vivian and Daniel's daughter Aria gets turned into a werewolf, they have to find another kindergarten to accommodate her needs. But with new schools come new problems. This is charming and fun, and I'm delighted to have it be the second recent book (I'm thinking of Emily Tesh's The Incandescent, which is very different tonally and plotwise) to remember that schools come with grown-ups, not just kids.

James C. Scott, In Praise of Floods: The Untamed River and the Life It Brings. You know I love James C. Scott, friends. You know that. But if you're thinking a lot about riverine flooding in the first place, this does not bring a lot that's new to the table, and there are twee sections where I'm like, buddy, pal, neighbor, what are you doing, having the dolphin introduce other species to say what's going on with them, this is not actually a book for 8yos, what even. So I don't know. If you're not thinking a lot about watersheds and riverine ecosystems and rhythms in the first place, probably a lovely place to start modulo a few weird bits. But very 101.

Madeleine Thien, The Book of Records. You'd think she'd have had me at "Hannah Arendt and Baruch Spinoza are two of the major characters," but instead it just didn't really come together for me. The speculative conceit was there to hang the historical references on, and in my opinion this book's reach exceeded its grasp. I mean, if you're going to have those two and Du Fu, you've set the bar for yourself pretty high, and also a cross-time sea is also a firecracker of a concept, and...it all just sort of sits together in a lump. Ah well.

Katy Watson, A Lively Midwinter Murder. Latest in the Three Dahlias series, still good fun, the Dahlias are invited to a wedding and get snowed in and also murder ensues. Not revolutionizing the genre, just giving you what you came for, which is valid too.

Christopher Wills, Why Ecosystems Matter: Preserving the Key to Our Survival. "Did the author have a better title for that and the publisher made him change it to something hooky?" asked one of my family members suspiciously, and the answer is probably yes, you have spotted exactly what kind of book this is, this is the kind of book where someone knows interesting things about a topic (population genetics and their evolution) and is nudged to try to make its presentation slightly more grabby for the normies in hopes of selling more than three copies. It's interesting in the details it has on various organisms and does not waste your time on why ecosystems matter because duh obviously. If you were the sort of person who wasn't sure that they did, you would never pick up this book anyway.

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alierak ([personal profile] alierak) wrote in [site community profile] dw_maintenance2025-06-30 03:18 pm

Rebuilding journal search again

We're having to rebuild the search server again (previously, previously). It will take a few days to reindex all the content.

Meanwhile search services should be running, but probably returning no results or incomplete results for most queries.
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rachelmanija ([personal profile] rachelmanija) wrote2025-06-28 01:12 pm

Misc Books: Helene Hanff, Lauren Tarshis, Stuart Turton

84 Charing Cross Road, by Helene Hanff




A sweet epistolatory memoir consisting of the letters written by a woman in New York City with extremely specific tastes (mostly classic nonfiction) and the English bookseller whose books she buys. Their correspondence continues over 20 years, from the 1940s to the 1960s. It's an enjoyable read but I think it became a ginormous bestseller largely because it hit some kind of cultural zeitgeist when it came out.


I Survived the Great Molasses Flood, by Lauren Tarshis




The graphic novel version! I read this after DNFing the supposedly definitive book on the event, Dark Flood, due to the author making all sorts of unsourced claims while bragging about all the research he did. The point at which I returned the book to Ingram with extreme prejudice was when he claimed that no one had ever written about the flood before him except for children's books where it was depicted as a delightful fairyland where children danced around snacking on candy. WHAT CHILDREN'S BOOKS ARE YOU TALKING ABOUT?

The heroine of I Survived the Great Molasses Flood is an immigrant from Italy whose family was decimated in a flood over there. A water flood. It's got a nice storyline about the immigrant experience. The molasses flood is not depicted as a delightful fairyland because I suspect no one has ever done that. It also provides the intriguing context that the molasses was not used for sweetening food, but was going to be converted into sugar alcohol to be used, among other things, for making bombs!

My favorite horrifying detail was that when the giant molasses vat started expanding, screws popped out so fast that they acted as shrapnel. I also enjoyed the SPLOOSH! SPLAT! GRRRRMMMMM! sound effects.


The 7 1/2 Deaths of Evelyn Hardcastle, by Stuart Turton




A very unusual murder mystery/historical/fantasy/??? about a guy who wakes up with amnesia in someone else's body. He quickly learns that he is being body-switched every time he falls asleep, into the bodies of assorted people present at a party where Evelyn Hardcastle was murdered. He needs to solve the mystery, or else.

This premise gets even more complicated from then on; it's not just a mystery who killed Evelyn Hardcastle, but why he's being bodyswapped, and who other mysterious people are. It's technically adept and entertaining. Everything does have an explanation, and a fairly interesting and weird one - which makes sense, as it's a weird book.
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mrissa ([personal profile] mrissa) wrote2025-06-26 09:07 am

Trade show! in! spaaaaaace!

 

New story out today in Lightspeed magazine: All I Got Was This Lousy T-Shirt. Visit the space gift shop trade convention and learn who's most likely to try to ruin things for all of us (hint: it's Earth people, UGH).

Don't miss the Author Spotlight discussing the story afterwards!

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mrissa ([personal profile] mrissa) wrote2025-06-22 04:36 pm
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SFWA Poetry Open Mic

 

I've been reading my own prose in public for audiences for more than 25 years now, and I've even thrown in a poem or two as spice. But this Saturday is the first time I will be doing a dedicated poetry reading! If you're a Nebula attendee or a SFWA member, please join us on Saturday, June 28th, at 11 a.m. Pacific (1 p.m. Central).

A microphone with sparkles provides the information for the SFWA Poetry Open Mic, June 28th, 11 AM Pacific, Featuring: Marissa Lingen, Host: Gwynne Garfinkle, events.sfwa.org/upcoming-events

rachelmanija: (Books: old)
rachelmanija ([personal profile] rachelmanija) wrote2025-06-20 10:18 am

Shroud, by Adrian Tchaikovsky



While on a commercial expedition, an unexpected accident causes Mai, an engineer, and Juna, an HR person, to crash-land on a pitch-black planet called Shroud. They can't get out of their escape pod because the air is corrosive and unbreathable, and they can't call for help. Their only hope is to use the pod's walker system to trek all the way across the planet... which turns out to be absolutely teeming with extremely weird life, none of which can see, all of which communicates via electromagnetic signals, most of which constructs exoskeletons for itself with organic materials, and some of which is extremely large.

As readers, we learn very early on that at least some of the life on Shroud is intelligent. But Juna and Mai don't know that, the intelligent Shroud beings don't know that humans are intelligent, and human and Shroud life is so different that it makes perfect sense that they can't tell. As Juna and Mai make their probably-doomed expedition across Shroud, they're accompanied by curious Shroud beings, frequently attacked by other Shroud creatures, face some of the most daunting terrain imaginable, and slowly begin to learn the truth about Shroud. But even if they succeed in rescuing themselves, the predatory capitalist company that sent them on their expedition on the first place is determined to strip Shroud for materials, and doesn't care if its indigenous life is intelligent or not.

This is possibly the best first contact novel I've ever read. It's the flip side of Alien Clay, which was 70% depressing capitalist dystopia and 30% cool aliens. Shroud is 10% depressing capitalist dystopia and 90% cool aliens - or rather, 90% cool aliens and humans interacting with cool aliens. It's a marvelous alien travelogue, it has so many jaw-dropping moments, and it's very thematically unified and neatly plotted. The climax is absolutely killer.

The characterization is sketchy but sufficient. The ending is a little abrupt, but you can easily extrapolate what happens from there, and it's VERY satisfying. As far as I know this is a standalone, but I would certainly enjoy a sequel if Tchaikovsky decided to write one.

My absolute favorite moment, which was something you can only do in science fiction, is a great big spoiler. Read more... )
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mrissa ([personal profile] mrissa) wrote2025-06-19 02:13 pm
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What a Fish Looks like, by Syr Hayati Beker

 Review copy provided by the publisher.
 
One of my friends likes to say, "it's never too late to have a messy breakup," and that could be one of the thesis statements of this book. Jay and Seb are having an epically messy breakup...also the world is literally ending in environmental collapse and at least one of them will probably leave the planet for another planet whose traits are not well known.
 
Also it's a mosaic novel whose framing device is a book of fairytales.
 
Jazz hands.

So there's Red Riding Hood here, but also Antigone, there's the Snow Queen, but it's not snow, there's a kaleidoscope of animal ghosts and human passions, queer theater techs and cleverly named collectives. This book features a lot of fun elements wrapped in with deeply, horrifyingly unfun environmental consequences.
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mrissa ([personal profile] mrissa) wrote2025-06-19 02:07 pm
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Books read, early June

 

Isa Arsén, The Unbecoming of Margaret Wolf. Look, when a character tells you that their favorite Shakespearean character (as an actress) is Lady Macbeth and then another major character says their favorite play is Titus Andronicus--whose favorite play is Titus Andronicus? I demanded when I first got to that part. And then the book went on and OH NO OH GOD OH NO. Anyway, from the beginning you will get a clear sense that this is a setting that will tear people to shreds (1950s theater world!) and that some of the people in question will assist their milieu in their own destruction. Be forewarned on that. For me the prose voice made all the difference in the world, for you it might not make enough difference to be worth that shape of book if you're really not in a good place for it. This book goes hard, but uh...not any more pleasantly than my first sentence there would lead you to expect.

Andrea Barrett, Dust and Light: On the Art of Fact in Fiction. I was a little disappointed in this, I think because I was expecting more/broader theory. It was in a lot of places a process case study, which is interesting too, and I'm not sorry I read it, I was just expecting something grander, I think.

Agatha Christie, Hickory Dickory Dock and Peril at End House. These sure were mysteries by Agatha Christie.

Justene Hill Edwards, Savings and Trust: The Rise and Betrayal of the Freedman's Bank. Very straightforwardly does what it says on the tin. A thing we should all know happened, in terms of Black Americans and finance, this book gets in and gets out and does what it needs to do.

Kate Elliott, The Witch Roads. Discussed elsewhere.

Margaret Frazer, The Witch's Tale. Kindle. This is one of the short stories, and it was clearly something Frazer needed to say about justice and community, and it got in and said it and got out. For heaven's sake do not start here, this is a series story that's leaning heavily on you already caring about this place and these people and not spending many of its quite few words in introducing them to you.

Max Gladstone, Last Exit. Reread. This book made me cry four times on the reread. I knew it was coming, I knew what was going to happen, I had not forgotten many (on some cellular level: any) of the details, and yet, dammit, Gladstone, ya did it to me again. With my own connivance this time. Anyway gosh this is good, this is doing all sorts of things with power and community and priorities and old friendships and adulthood and, the reason I read it: American road trips. Oh, and weather! I read it for my road trip panel, it also related to my weather panel, frankly I brought it up during a couple of other panels as well. This booook.

Reginald Hill, On Beulah Height. Reread. Back to back reread bangers, although this one only made me cry once. I am not a big crier over books. Such a good series mystery, by which I mean that it works as a mystery but also, and more crucially, as a novel about some people you've already had a chance to know, so you know what their reactions mean even when they're not in your home register. (Or, if you're from Yorkshire, even if they are.)

Jordan Ifueko, The Maid and the Crocodile. Magical and fun and full of textured worldbuilding and clear character motivation, I really liked this.

Sarah Kay, A Little Daylight Left. The sort of deeply gripping volume of poetry that makes me add everything else the poet has written to my reading list.

Nnedi Okorafor, One Way Witch. A prequel, a mother's story, which is not something we see often. Interesting, not long.

Rebecca Roanhorse, Trail of Lightning. Reread. Also reread for my road trip panel, also pertained to my weather panel--are there any road trip novels that's not true for? Is a road trip in part a way to make modern people vulnerable to smaller-scale weather forces? In any case, I liked the ragged edges here, I liked the things she tied up neatly but also the things she refused to.

Sean Stewart, Galveston. Reread. To my relief, this holds up 25 years after I first read it: storms of magic, layers of history, weird alternate worlds overlapping with this one, hurrah.

Greg van Eekhout, Cog. Reread. A charming and delightful sto