keilexandra: Adorable panda with various Chinese overlays. (Default)
* Via [livejournal.com profile] yhlee, musical stairs on YouTube!

* Also via [livejournal.com profile] yhlee, A Regency Romance in 2 Minutes.

* Michael M. Jones puts out an open call for submissions to his new anthology, Scheherazade's Facade: Fantastical Tales of Gender Bending, Cross-Dressing and Transformation.

* Recent Strange Horizons pieces that are excellent: poem "Thirteen Scifaiku for Blackbirds" by Joanne Merriam and story "Minghun: Unlikely Patron Saints, No. 5" by Amy Sisson.

* [livejournal.com profile] yhlee (Yoon Ha Lee) has an awesome story up at Beneath Ceaseless Skies called "The Pirate's Daughter," about words and poetry and music and awesomeness.

* Another enrapturing story of music from Beneath Ceaseless Skies: Michael Anthony Ashley's "To Kiss a Granite Choir," Part 1 and Part 2.

* Quite the depressing, and truthful, article about grad school in the humanities.
keilexandra: Adorable panda with various Chinese overlays. (Default)
* Literary agent Jenny Rappaport on counting spoons, or living with a chronic illness.

* TIME magazine has an article on how McCain makes Obama conservative, in the small-c sense.

* Via Mir at Want Not, Lean Cuisine is selling limited-edition lunch bags with half of each purchase going to the Susan G. Komen Foundation. They are mainly pink, of course, but very pretty and for a good cause!

* Try Ruby (programming experience recommended)! Ruby is the prettiest programming language I've ever seen. This should be of interest to linguists, too, but a little coding background helps if you insist on understanding the entire tutorial, like me.

* Via Strange Horizons, a poem by C.S. MacCath entitled, "Upon the death of my host and waiting for uplink: by Event Horizon, formerly of the Oracle Duality Liselle Marie Michaud / Event Horizon." In a shape-poetry form that I can't remember the name of.

* Via yhlee, [livejournal.com profile] jenwrites on artistic works being too long for your skill level. Does that mean I shouldn't bother trying to write a novel (and failing, repeatedly)?

* Also via [livejournal.com profile] yhlee, a fascinating article on tone deafness and/or bad singing. I've never considered myself tone-deaf, but I have both a terrible ear for flat/sharp (although I do hear discordances if the correct form is engrained in my memory from repetition) and the inability to carry a tune. I can match pitches if you give me a few seconds, but I can't reproduce them. And nothing (in terms of music) gets stuck in my head. Not always a good thing, when you're a musician.
keilexandra: (glomp)
Strange Horizons has a lovely new short story up, "In Lieu of a Thank You" by Gwynne Garfinkle. Butterflies wings and feminism, oh my! Also, an equally lovely sestina (which is horrendously hard to write, I know from experience) by Elizabeth Barrette, "Dancing with Stones."

Go forth and taste the loveliness!
keilexandra: Adorable panda with various Chinese overlays. (Default)
Via Lifehacker: I'm still working on transferring my Bloglines Clippings to bookmarks so that I can switch over, but Google Reader has a very cool ninja Easter egg.

Via [livejournal.com profile] grrm: Apparently [livejournal.com profile] lisatuttle is the only person to ever refuse a Nebula award, in 1981. Interesting trivia tidbit.

Via [livejournal.com profile] the_chalk_bin: The Beijing '08 commemorative Olympics stamp is really pretty! Go look.

[livejournal.com profile] lisamantchev covets a gorgeous real-life castle.

Via [livejournal.com profile] yhlee: A beautiful poem, "Love in Jeopardy" by Humbert Wolfe. I'm not sure I quite understand it, but it references zithers!

Via [livejournal.com profile] catrambo: Fantasy Magazine presents "His One True Bride" by Darja Malcolm-Clarke.


Query: Anyone happen to know specifics about the five night watches signaled by drumbeats in Song dynasty Hangzhou?
keilexandra: Adorable panda with various Chinese overlays. (Default)
Beyond This Dark House
by Guy Gavriel Kay
106 pages (hardcover)
Genre: Poetry/Literary/Fantasy

I ordered this book from indigo.ca (paying twice the discounted cover price for international shipping, too) in September, and posted my first poem excerpt in November. It's now March, but I've finally gotten around to posting everything I wanted to excerpt and writing a review.

However--how does one review a book of poetry, exactly? Especially one by my favoritest* author ever? Although less than half of the poems are fantastical, I love Kay's use of words. I've always admired the poetic, resonant quality of his prose, and it translates beautifully to (or rather, from) his poetry. Of the fantasy-related poems in this short collection, my favorites were "Avalon," "Guinevere at Almesbury" (which has an especially memorable first stanza), "At the Death of Pan," "Shalott," and "The Guardians." Many of his personal pieces are equally poignant, though: "Ransacked," "Wine," "Following," "And Diving," and of course the title poem "Beyond This Dark House." The collection is divided into five unnamed sections, but I didn't really understand the deeper meaning of that.

So. If you like beautiful, concise free verse, you should like this. Moreso if you like beautiful, concise, fantastical free verse.


*Yes, I know favoritest is not a real word. This is how much I love GGK.
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The last excerpt I'll be posting from Beyond This Dark House, review soon forthcoming. [p.p.102-103]


The Guardians )
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The title poem of the collection, excerpted from Beyond This Dark House by Guy Gavriel Kay [p.p.91-94]:


Beyond This Dark House )
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Excerpted from Beyond This Dark House by Guy Gavriel Kay [p.85]:


And Diving

Late night
in a cold bed,
far away.

Yesterday I dreamed
that you had died,

arcing from a bridge
to black water.

I arrived too late
and diving,

could only bring
your body back to be
whitened by moonlight.

I was crying, holding
your still hands.

Late night,
cold bed, telling myself
I do not love you,

remembering your voice,
your hands in my hair.
keilexandra: Adorable panda with various Chinese overlays. (Default)
Excerpted from Beyond This Dark House by Guy Gavriel Kay [p.76]:

Shalott

. . . and so forgetting
what I came to say,
I sense a shadowed loom
in the room behind you.
There will be no windows
save one and, of course,
one river only.
Then the mirror,
lacking, suddenly, you.
What you are
forces the tapestry: your hands
shaping fables, my steps
on the twisted stair.
I must ride past,
not at all myself,
you must look down, the mirror . . .
keilexandra: Adorable panda with various Chinese overlays. (Default)
Excerpted from: Beyond This Dark House by Guy Gavriel Kay [p.62]

At the Death of Pan

Where the god fell--
mark the place with flowers,

red for blood
and the white . . .

there are no rules for this,
you know. Precedents

are somewhat limited.
Do something with the white.

Clear a space as well
for the hangers-on.

I have no idea
how many will be here

or how they'll behave.
There will be royalty so

it does make sense
to have a score

of maidens immolated,
to be on the safe side.

For the rest--yes, white
for the maidens! Good.

It ought to do, it ought to do,
if the rains hold off.
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"Guinevere at Almesbury"
by Guy Gavriel Kay
excerpted from Beyond This Dark House [p.43-45]

Guinevere at Almesbury )
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From p.p. 36-37 of Beyond This Dark House by Guy Gavriel Kay:


Avalon )
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I have four bookposts to write up from notes, but the first two require some thinking. And the NaNo novel has not been worked on the past two days; I really should. But instead, I shall entertain with more poetry! From p. 30 of Beyond This Dark House:

Following

Of you in the slowly dark I'm thinking,
feeling the twilight as music
marred by the chord of your absence.

One afternoon
you lamented the curl of your hair
and the shape of your toes.

I told you I couldn't possibly love
a freckled woman. And you
were laughing. My finger found

a blue vein running along
your throat and followed it down,
though I had said that if you ran

I would not follow.
And so I am entangled
in a promise I may break,

because I would have you want me,
at the very least, enough to take
these offerings for what they are:

craftings in the hollow of a sleepless night,
shot through with the discord
of your being far away, and not mine.
keilexandra: Adorable panda with various Chinese overlays. (Default)
Another excerpt today from Beyond this Dark House by Guy Gavriel Kay.

Wine

The lights of houses
push into the village night
a little way and fail.

Drifting through fog
You strain towards windows.
Figures move behind curtains.

Islands of sound.
A baby cries.
Somewhere else

a woman laughs
and then stops laughing.
Wife offered and withdrawn.

In the morning the council houses
will be small, curtains drab,
women harried and wan.

But in fog-weighted night
the rush of tires
is a rushing of waves,

and unseen laughter
incarnates mysteries
and releases them.
keilexandra: Adorable panda with various Chinese overlays. (Default)
I'm currently reading Beyond This Dark House by Guy Gavriel Kay (among several other books), so every once in a while I'm going to post a poem from it that I found particularly powerful.

Today it's "Ransacked," which may be found on page 14.

There are no shadows
in the dream. The sun
is very bright. The wind
exceeds expectation.

Ransacked, we watch
everything blow away
and everything, blowing away,
watches us recede.

Soon, without appearing to move,
we are far from each other,
and I seem to have arrived
where no one needs my love.

The wind is done. Shadows
slide into place, bringing stars.
And then, in the dream, she comes,

her hands spilling moonlight,
to accept the sacrifice
with the naming of her name.
keilexandra: Adorable panda with various Chinese overlays. (Default)
A rewrite of an old poem.


keilexandra: Adorable panda with various Chinese overlays. (Default)

A poem and a riddle! Cut for convenience; the riddle is untitled, for obvious reasons.

Rose )


Guess, guess!

Notes

Aug. 14th, 2006 06:22 pm
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This morning, in the car on the way to Pathmark, I thought of the beginnings of a poem/riddle. Each line would contain a key word, and the riddle answer/common element would be what all of the key words have in common. I'm noting the words here, since it's unlikely anyone from the Riddle Room will see this:

Sky: sun, moon, star
Traffic: red, yellow, green
Emergency: lamp, flash, head

Figured out the connection?

I wish I could start working on it now, but I've got to go to a clarinet lesson in like 10 minutes. Oh well. And it's really hot today too, I'm pouring sweat. The loft traps too much heat. *mutter*
keilexandra: Adorable panda with various Chinese overlays. (Default)
Bored and need to work on my story, forcing myself to stay off Achaea. Plus, a friend has begged me to help her make a background in Photoshop. But first, this. On a whim, I memorized the first 11 lines of "Kubla Khan", a famous poem by Coleridge or something. No punctuation, because it's typed from memory.

In Xanadu did Kubla Khan
A stately pleasure-dome decree
Where Alph, the sacred river ran
Through caverns measureless to man
Down to a sunless sea.
So twice five mlies of fertile ground
With walls and towers were girdled round
And there were gardens bright with sinuous rills
Where blossomed many an incense-bearing tree
And here were forests ancient as the hills
Enfolding sunny spots of greenery

Whee. Dunno why I'm so into poetry right now, but I am. And this poem is so... rhythmical. Anyway, on to the book review. Positive, this time.


It's nice to write a positive book review, instead of a negative one. I think I missed some points, but oh well.

Bleh

Jul. 7th, 2006 12:00 pm
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[profile] tiger_san commented to remind me that this journal existed, so I'm posting again. Dunno what to say, really. I wrote another poem, inspired by this chinese tv series my mom was watching a few months back. I still have the image in my head, so haunting. What was interesting was, it had no dialogue whatsoever in that entire, 10-min-ish scene -- and it worked. Either the actress or the screenwriter must have been amazing. So, this poem (tentatively titled) is my humble attempt to capture that image in words. 


The longest poem I've ever written, come to think of it.

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Keix

January 2011

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