AI and Dreamwidth

Feb. 25th, 2026 12:11 pm
mark: A photo of Mark kneeling on top of the Taal Volcano in the Philippines. It was a long hike. (Default)
[staff profile] mark posting in [site community profile] dw_dev

We've seen some questions lately about AI and how it relates to Dreamwidth, especially around scraping and training. Rather than answer piecemeal, I wanted to talk through how [staff profile] denise and I are thinking about this and try to be explicit about some things.

Dreamwidth is a user-supported service. We don't build the service around monetizing user data, and that informs how we approach AI just like it informs everything else we do.

Your content and AI training

Dreamwidth does not and will not sell, license, or otherwise provide user content for AI training. We have not and will not enter into data-access agreements for AI training purposes.

We will continue taking reasonable technical steps to discourage large-scale automated scraping, including known AI crawlers, where it is practical to do so. No public website can prevent scraping with absolute certainty, but we will keep doing what we reasonably can on our side.

AI features on Dreamwidth

Dreamwidth will not introduce AI features (and we have no current intention of doing so) that use or process user content without a public discussion with the community first.

We're only phrasing it like this because we can't predict the future and who knows what will be possible and available in five or ten years, but right now there's nothing we can see wanting to add.

If that ever changed, the conversation would happen openly before any decisions were made.

Site admin uses of AI

Keeping Dreamwidth usable means dealing with things like spam and abuse, and that sometimes requires automated admin tools to be more efficient or effective.

We are not currently using AI-driven systems for moderation or similar decisions.

If we ever decide that an AI-based tool would help address a site admin problem like spam, we will explain what we are doing and how it works (and ask for feedback!) before putting it into use. Any such tools would exist only to make it easier and more efficient for us to do the work of running the site.

AI and code contributions

Dreamwidth is an open-source project, and contributors use a variety of tools and workflows.

Contributors may choose whether or not to use AI-assisted tools when writing or reviewing code. Dreamwidth will not require contributors to use AI tools, and we will not reject contributions solely because AI-assisted tools were used.

For developers: if you use any AI-assisted development tools for generating a pull request or code contribution, we expect you to thoroughly and carefully review the output of those tools before including them in a pull request. We would ask the community not to submit pull requests from automated agents with no human intervention in the submission process.

I think it's important and I want to be able to review, understand, and maintain any contributions effectively, and that means humans are involved and making sure we're writing code for humans to work with, even if AI was involved.

Important note: this applies to code only. We expect any submitted images or artwork (such as for styles, mood themes, or anything else) to be the work of a human artist.

And to be very explicit, any AI-assisted development does not involve access to Dreamwidth posts or personal content.

In short summary

  • Dreamwidth does not and will not provide user content for AI training
  • Dreamwidth have not and will not enter data-sharing agreements for AI training and we will do what we can to prevent/discourage automated scraping by AI companies
  • Dreamwidth will not introduce AI features without a public discussion first
  • Any site admin use of AI tools will be explained openly and part of a public conversation
  • Contributors can choose their own development tools for code, but we do not accept images or artwork generated by AI

Oh, and we'll probably mention this (or a subset of this that isn't code related) in an upcoming [site community profile] dw_news post, but will defer to [staff profile] denise on that!

Code Tour: 2024-12-01 to 2026-02-25

Feb. 25th, 2026 12:22 am
silveradept: A sheep in purple with the emblem of the Heartless on its chest, red and black thorns growing from the side, and yellow glowing eyes is dreaming a bubble with the Dreamwidth logo in blue and black. (Heartless Dreamsheep)
[personal profile] silveradept posting in [site community profile] dw_dev
Oh, hi, everybody! It's been a little bit since we did a code tour, hasn't it? But never fear, we're here to walk you through the changes that have happened since the last time we took a tour through the code changes in Dreamwidth.

Let's dive in, shall we?

Your code tour, with some attempts at arrangement by topic. )

There we go! Another year's worth of code commits, issues resolved, and attempts to make Dreamwidth a greater and cooler place to be. And to have it continue working into the future.

(We should do these more often, but volunteers and, well…*gestures broadly around*. So it may be a while before someone has the spoons to do this again, but we're always trying to be more consistent about it.)

Here are the totals for this code tour:

104 total issues resolved.
Contributors in this code tour: [github.com profile] Copilot, [github.com profile] alierak, [github.com profile] cmho, [github.com profile] dependabot, [github.com profile] jjbarr, [github.com profile] kareila, [github.com profile] l1n, [github.com profile] momijizukamori, [github.com profile] pauamma, [github.com profile] sirilyan, [github.com profile] zorkian

The Language of Liars, by S.L. Huang

Feb. 24th, 2026 08:42 am
mrissa: (Default)
[personal profile] mrissa
 

Review copy provided by the publisher.

This is a novella with a whole range of aliens with different language features, wildly different environments, etc. Several of my friends just stopped reading this review to go pre-order or request that their library do so. You are correct, if that is the sort of thing you like, this sure is that thing.

What it does less successfully, I think, is the twist ending. I feel like this is a book that is for people who like science fiction about aliens, but for me, as soon as I knew the premise, I knew the ending, and I was correct. So if you're reading for the aliens, come on in; if you're reading for a clever twist you did not see coming, this is not that novella, that is not where Huang spent time and energy.

Books read, early February

Feb. 18th, 2026 10:47 am
mrissa: (Default)
[personal profile] mrissa
 

Moniquill Blackgoose, To Ride a Rising Storm. I'm usually a second book person, but this one took a minute to win me over. I think the bar was set so high by the first one that when the second one felt like "more of the same," I was disappointed. It is, however, going somewhere, and it finished up with a bang, and I am very excited for the third one. (But where it finished with a bang was more like a starting pistol. Do not expect closure here. This is very much a middle book.)

Lila Caimari, Cities and News. Kindle. A study of how newspapers evolved and influenced the culture in late 19th century South American cities, which was off the beaten Anglophone path and rather interesting, especially because the way that snowy places were exoticized pretty much exactly paralleled how these cities were exoticized in snowy places.

Colin Cotterill, Curse of the Pogo Stick, The Merry Misogynist, and Love Songs from a Shallow Grave. Rereads. And this, unfortunately, is where the series ends for me. I enjoyed Pogo Stick, and then the other two had mystery plots that were "serial killer because tormented intersex person" (REALLY STOP IT, these books came out in the 21st century, NOT OKAY) and "bitches be crazy, yo" (WELP). The mystery plots are not nearly as central to these mysteries as one might expect of, well, mysteries, but on the other hand they are integral to the book and not ignorable and I am done. When I read this series previously I endured these two in hopes that it would get better again, and now I know it doesn't. Well. Five books I like is more than most people manage.

Jeannine Hall Gailey, Field Guide to the End of the World. I still resonate less with prose poems than with other formats of poem, and this had several, but it was otherwise...unfortunately apropos, a worthy companion in our own ongoing ends of worlds.

Tove Jansson, Moominpappa's Memoirs. Kindle, reread. Charming and quirky as always, with some hilarious moments about memoir that went over my head when I was small.

Laurie Marks, Fire Logic, Earth Logic, Water Logic, and Air Logic. Rereads. I still really enjoy this series, but on the reread it was quite clear to me that water is very, very much the weakest element here, no contest. The water witches are not really portrayed as people, nobody with water affinity gets to be a character, they're very much the "oh yeah I guess we have more than three elements" element in this series. Water is the element I connect with the most strongly. I still like this series, I still think it's doing really good things with peace being an active rather than passive state and one that has to be made by imperfect humans--more unusual things than they should be. As with the Cotterill books above, the fact that it was a reread meant that I couldn't keep saying to myself, "Maybe there'll be more on this later," because there won't, the series is complete. But in contrast to the Cotterill it was complete in a way I still find satisfying.

Alice Evelyn Yang, A Beast Slinks Towards Beijing. This is a family history novel with strong--in fact integral--fantastical elements, but only the realistic plot resolution is satisfying, not the fantasy plot at all. The fantasy elements are required for the plot to happen as portrayed, there's no chance they're only metaphors, but they only work as metaphors. Ah well. If you're up for a Chinese family history novel that goes into detail of the horrors of both the Japanese occupation and the Cultural Revolution, this one has really good sentences and paragraphs. But go in braced.

rachelmanija: (Books: old)
[personal profile] rachelmanija


Excellent dark fantasy about three women trapped in a medieval castle under siege. It reminded me a bit of Tanith Lee - it's very lush and decadent in parts - and a bit of The Everlasting. Fantastic female characters with really interesting relationships. The language is not strictly medieval-accurate but a lot of the characters' mindsets are, which is fun.

All I knew going in was that it was medieval, female-centric, and involved cannibalism. This gave me a completely wrong impression, which was that it was a sort of female-centric medieval Lord of the Flies in which everyone turns on each other under pressure and starts killing and eating each other. This is very nearly the opposite of what it's actually about, though there is some survival-oriented eating of the already-dead.

The three main characters are Phosyne, an ex-nun and mad alchemist with some very unusual pets that even she has no idea what they are; Ser Voyne, a female knight whose rigid loyalty gets tested to hell and back; and Treila, a noblewoman fallen on hard times and desperate to escape. The three of them have deliciously complicated relationships with each other, fully of shifting boundaries, loyalties, trust, sexuality, and love.

At the start, everyone is absolutely desperate. They've been trapped in the castle under siege for six months, the last food will run out in two weeks, and help does not seem to be on the way. Treila is catching rats and plotting her escape via a secret tunnel, but some mysterious connection to Ser Voyne is keeping her from making a break for it. Phosyne has previously enacted a "miracle" to purify the water, and the king is pressuring her to miraculously produce food; unfortunately, she has no idea how she did the first miracle, let alone how to conjure food out of nothing. Ser Voyne, who wants to charge out and fight, has been assigned to stand over Phosyne and make her do a miracle.

And then everything changes.

The setting is a somewhat alternate medieval Europe; it's hard to tell exactly how alternate because we're very tightly in the POV of the three main characters, and we only know what they're directly observing or thinking about. The religion we see focuses on the Constant Lady and her saints. She might be some version of the Virgin Mary, but though the language around her is Christian-derived, there doesn't seem to be a Jesus analogue. The nuns (no priests are ever mentioned) keep bees and give a kind of Communion with honey. Some of them are alchemists and engineers. There is a female knight who is treated differently than the male knights by the king and there's only one of her, but it's not clear whether this is specific to their relationship or whether women are usually not allowed to be knights or whether they are allowed but it's unusual.

This level of uncertainty about the background doesn't feel like the author didn't bother to think it out, but rather adds to the overall themes of the book, which heavily focus on how different people experience/perceive things differently. It also adds to the claustrophobic feeling: everyone is trapped in a very small space and additionally limited by what they can perceive. The magic in the book does have some level of rules, but is generally not well understood or beyond human comprehension. There's a pervasive sense of living in a world that isn't or cannot be understood, but which can only be survived by achieving some level of comprehension.

And that's all you should know before you start. The actual premise doesn't happen until about a fourth of the way into the book, and while it's spoiled in all descriptions I didn't know it and really enjoyed finding out.

Spoilers for the premise. Read more... )

Spoilers for later in the book: Read more... )

Probably the last third could have been trimmed a bit, but overall this book is fantastic. I was impressed enough that I bought all of Starling's other books for my shop. I previously only had The Luminous Dead, which I'm reading now.

Content notes: Cannibalism. Physical injury/mutilation. Mind control. A dubcon kiss. Extremely vivid descriptions of the physical sensations of hunger and starvation. Phosyne's pets do NOT die!

Feel free to put spoilers for the whole book in comments.
rachelmanija: (Books: old)
[personal profile] rachelmanija


Five high school friends go on a camping trip and find a mysterious staircase in the woods. One of them climbs it and vanishes. Twenty years later, the staircase reappears, and they go to face it again.

I loved this premise and the cover. The staircase leading nowhere is spooky and beautiful, a weird melding of nature and civilization, so I was hoping for something that matched that vibe, like Annihilation or Revelator.

That was absolutely not what I got. The Staicase in the Woods is the misbegotten mutant child of It, King Sorrow, and Tumblr-speak. Every single character is insufferable. The teenagers are boring, and the adults are all the worst people you meet at parties. There are four men and one woman/nonbinary person, and she/they reads exactly like what MAGA thinks liberal women/trans people are like -- AuHD, blue hair, Tumblr-speak, angry, preachy, kinky sex etc. She/they says "My pronouns are she/them," then is only ever referred to as she and a woman. The staircase itself is barely in the story, where it leads is a letdown, and the ending combines the worst elements of being dumb and unresolved.

I got partway in and then skimmed because I was curious about the staircase and the vanished kid.

Angry spoilers for the whole book.

Read more... )

Profile

keilexandra: Adorable panda with various Chinese overlays. (Default)
Keix

January 2011

S M T W T F S
       1
2345678
9101112131415
16171819202122
23242526272829
3031     

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Powered by Dreamwidth Studios