keilexandra | Reading

I have been offline more than usual lately because the internet is off at my house and I've been unable to reach anyone who is not an AI, which went about as well and efficiently as you can imagine. The AI has decided that I need a new router and is mailing it to me with instructions for how to install it myself, because God forbid a human be involved. If that doesn't work, who knows what the next step is. I am beginning to suspect the only humans at the company are the CEOs and shareholders.

Meanwhile, I decided that I am spending way too much time doomscrolling, both intentionally and non-consensually. Not only is everything horrible right now, but the minute you get online you're personally informed of every horrible thing that happened anywhere, big or small or in between. Did some random dude murder his entire family anywhere in the world? You'll be informed of it, complete with heartbreaking photos of the dead kids. Did a child commit suicide anywhere in the world? You'll hear about that too, also complete with the awful story and heartbreaking photos! And that's not even getting into politics and the upcoming end of the world. I don't think humans are mentally equipped to live like that.

So I installed ScreenZen on my phone. It's one of many apps that will block both apps and entire websites. (Sadly it does not have the ability to block words.) I blocked everything I doomscroll on. I highly recommend this! I still get the news, as 1) I get a news digest emailed to me daily, 2) people will tell me the news in person whether I consent or not, but at least I'm not constantly marinating in global misery that I can't do anything about. Also, I now have more time to be useful in ways that are actually possible.

The result is that I have read so many more books than usual. I am completely behind on reviewing, also as usual, but with more books involved now. Perhaps I will post a poll.

rachelmanija

This novel has one of the most off-the-wall premises I've come across. In a near-future world much like our own, women who get pregnant also conceive a "fetal mother." When they give birth to their baby, they also deliver the fetal mother, then fall into a coma-like sleep. The fetal mother rapidly grows into an identical clone of the original mother, then EATS HER. This process is called rebirth. The new mother has the original mother's memories and personality, but is also endowed with superpowers for the first five years of her child's life: she needs almost no sleep, has super strength and fast reflexes, is filled with energy, and finds all child care and domestic tasks endlessly fascinating and enjoyable. In short, the new mother is the woman that mothers are supposed to be.

The main character, Vivi, is terrified of rebirth, and sees it as death. This view is very stigmatized, but might be more widespread than society lets on. She's reluctant to get pregnant because of it. When she finally does, something goes wrong with her rebirth. She didn't get new mother powers. Instead she slogs along, depressed and alienated, trying to care for her infant while she's still physically impaired from the pregnancy and actually needs sleep. She and her husband end up breaking up over this, and Vivi moves to Australia to live with her uncle, who runs a hobbling business.

Remember I mentioned this is near-future? The world has actually decided to do something about climate change, and so drastically regulated energy consumption. Hobbling is altering old machines to make them low emitters. The low-emissions world is less lavish: planes are rarely used, long-distance calls are brief, and only the very rich have unlimited internet. It's an interesting take on a world whose future seems much brighter than ours, but whose present is more similar to our recent past.

Vivi and her family are Indonesian-Chinese, and their cultures (including Australian) play into the book much as the near-future setting does: it's pervasive and interesting and very specific, which makes a nice grounded base for the incredibly weird rebirth stuff.

But Won't I Miss Me is a weird, fascinating, ambitious book with a weird, fascinating, ambitious premise. Great social commentary and issues of identity. I didn't quite love the ending - it felt like it needed either more setup or more payoff - but the book is still excellent and very original.

rizzy_rosie8 posting in

poetry

“The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.”

Robert Frost

rachelmanija

An advance copy of a new book by Lois Lowry, author of The Giver and other classics. It is unfortunately basically the bad version of The Giver. In fact what it mostly reminded me of was

telophase's YA dystopia generator, which produces gems like Tweak: Sickness has been banned and the government controls shopping and Whimper: Cats have been banned and the government controls dancing the hustle. In the case of Building 903, books have been banned and the government controls popsicles. Yes, really.

In a future America ruled by a 200 year old dictator, books (ALL books), fiction, art, music, storytelling, playgrounds, live pets (robot pets are OK), free elections, religion, tattoos, matches and other fire-making tools, congregating in groups, iconoclastic clothing, travel, and eating meat or fish are banned. Old people, marriage, and popsicles are controlled by the government. Yes, really.

She leaned over, pushed the button that dispensed a frozen snack, and made a face when she saw it was green; she liked the orange ones better. But she peeled the covering from the green one and licked at it. I bet anything, Tessa thought, I could get Dad to invent a selector button so they wouldn't come out at random; I could choose orange. Or red: the red ones aren't bad. Then, though, the green ones would pile up, and it would be wasteful, I suppose, because no one would ever eat them.

To be fair, I'm just assuming the frozen snacks are popsicles. For all I know she's licking a piece of frozen broccoli.

Tessa's father and twin brother are supergeniuses. Tessa and her mother are just average. I did not care for this. Anyway, Tessa's brother vanishes and the book goes on and on and ON with nothing much happening. I skipped to the end.

( Read more... )

mrissa

Hello, friends. I've got something to show you

It's a book cover! In fact it is my book cover! Because...you can preorder my novella, A Dubious Clamor, directly from the publisher or from an assortment of bookstores of your choice! In ebook or hardcover editions! Isn't it pretty? Isn't it appropriate for the book?

Okay, so you can't know whether it's appropriate for the book yet. But you can trust Naomi Kritzer, friend and multi-award winner, who describes this book as, "No war but class war; also, harpies!" (She also says it's "delightful, unique, and frequently hilarious," in case you were wondering.) Some other awesome people describe it as things too! Wonderful people like authors Ruthanna Emrys and Davinia Evans and critic Paul Weimer! Do you want to know what those things are? You can see them on the pre-order page!

But wait! there's more. (You did the right voice in your head for that, right?) If you preorder, you can not only get this lovely novella (ooooh! aaaaah!), you can also get a really cool sticker of a skeptical sword! You can put this on your laptop, phone, water bottle, small child, or other sticker-bearing device! Be the envy of your friends and neighbors, or at least those of your friends and neighbors who are cool enough to like sword stickers. (As for the other kind, who cares what they think? You are a discerning individual who knows the value of sword stickers, and that's what matters.)

Don't go yet! There's still more. Sadly we currently live in the timeline that has class war but no harpies. (I have improved on this in the novella! Which you can read on September 15 if you preorder it now!) But do you know what our timeline does have? It has harpy eagles. Harpy eagles are so cool. And the lovely people at the World Wildlife Fund allow you to donate to support their habitat. Every person who preorders will be entered into a drawing (subject to sweepstakes laws in your jurisdiction) to win a harpy eagle plushie that also supports harpy eagles in real life! For each hundred pre-orders, we will add another harpy eagle plushie (and its attendant habitat support) to the drawing, so your odds of winning an awesome harpy eagle plushie to be your new cuddly pal and mascot will never be less than 1 in 100. Or you can pass it on to be the cuddly pal and mascot of someone else you know, that part is up to you. Similarly you can also preorder copies of the novella and not read them, if for some reason you're opposed to opinionated weaponry, fictional operetta, and cake in your reading life. I will warn you, there is much cake.

So here it is! Pre-order today! or also other days, that's fine too!

rachelmanija

One day everyone in the world woke up with these words in front of their eyes, somehow inscribed in their inner eye: YOU ARE LIVING IN A SIMULATION. Simultaneously, a number of impossible things appeared on Earth, apparently to prove it: a frozen tornado, windows between continents, etc.

It's now seven years later. Those words still appear before everyone's eyes periodically. And tours have sprung up to take people to see the Impossibles, or at least as many as can be seen on a seven-day bus trip.

This extremely high-concept premise resembles that of The Measure in some ways: a world-spanning event, clearly real and equally clearly done by a more-than-human power, with immense existential implications, and with no one having any idea why it happened or why it happened now. But this is Daryl Gregory and he's very good with bizarre high-concept premises, and this book is excellent.

The other genre of When We Were Real is "set of random people thrown together" story. A number of the characters are, at least on the surface, straight out of a 1930s train story or a 1970s airplane story: two nuns, a rabbi, a pregnant woman, an elderly woman in a wheelchair and her devoted daughter, a set of elderly tourists, a person who's secretly dying, a person with a secret identity, a fugitive from the law. The only stock character it's missing is the cute child.

The many characters are very human and likable, with even the most frustrating of them having reasons for being the way they are; the annoying pregnant influencer's reason for being an annoying influencer turns out to be both sympathetic and heartbreaking. (Yes, it's partly to provide for her upcoming baby, but the real question is "Why an influencer rather than some other job?")

( Read more... )

The Impossibles themselves are excellent. My favorite was the time tunnel, where you can stay an infinite amount of subjective time (you get a home pulled out of your own history or desires, plus fresh-baked bread every morning) and emerge several hundred miles away, only a second having passed outside. But the flock of non-real sheep was pretty great too.

There's serious themes - existentialism, mortality, meaning, God, ethics, love - but delivered with a light touch. It's more plotty than I expected, given the quest/picaresque structure, and the story is very satisfying. You don't get answers to all the questions, but you do get a general outline as to what's going on and why. It's a very human and humane novel, of the moment but in a good way.

Content notes: Cancer. Plans for suicide due to terminal illness. Pregnancy and birthing issues. Violence.

rachelmanija

This picks up when Danny's been Dreadnought for a while, and is getting a bit too into the violent aspects of the job. This aspect is quite well done - you understand what's going on with her, but it actually is a bit unsettling. Also, Valkyrja reappears, sort of; an evil techbro wreaks havoc; a TERF is threatening the world; and Danny works on her relationships.

I liked this more than the first book. Danny developed as a character and spent a lot less time being abused by transphobes. I'll grab the third book when it comes out.

The sequel isn't as good as the first book, unfortunately. I'd have been happy with more of Zax, Minna, and Vicky exploring the multiverse, but this book is much more plot-driven and Minna and Vicky only show up three-quarters of the way through. Half or more of the book is narrated by a new character whose identity I'll leave out as it's spoilery for the first book. She was fine as a character but her storyline was less interesting. Zax gets a new companion, and I did quite enjoy his adventures with her. I also enjoyed Minna and Vicky when they finally appeared.

But the plot-driven parts were less interesting, and the structure was really odd and not in a way that benefited the book. Instead of picking up where the first book left off, we get a retrospective summary of what happened some time after that point, then we get the entire backstory of the non-Zax narrator bringing her up to the point where she meets Zax in the first book, then it jumps forward and we get what's happening to her now, then we catch up with what Zax is doing now, and then, about three quarters of the way in, we finally get the story of what happened immediately after the first book left off. I think it would have worked better to tell the story more linearly. And also, to have much more Minna.

It's not a bad book and it does have some really good parts, but there are some baffling choices made.

rachelmanija

A modern take on La Ronde: a novel in the form of twelve short stories linked by airplane trips. Each has a main character who meets the main character of the next story. A pilot has a brief fling with a journalist in Brazil; the journalist flies to Toronto to interview a writer; the writer flies to Seattle where she meets two of her fans; one of the fans flies to Hong Kong, and so forth.

The blurb says each meeting causes a ripple effect as they change each other's lives, but that's not actually what happens in many of them. Some are minor chance encounters, some are present at a crucial moment in someone else's life but don't directly affect it, and some are important encounters but those are the ones where the people have pre-existing relationships. Most of the characters are disconnected, discontented, and lonely, despite the literal connections they have in a six degrees of separation way; the only character who seems happy and is focused on the people they love is about to get hit with a terrible tragedy that's someone else's traffic delay.

As we go from person to person, we get to see the characters from different angles, and understand things about them that others don't. The pilot, who in his story was wondering what would have happened if his younger sister hadn't died in a childhood accent, asks his one night stand how old she is. She says 33, which is the age his sister would have been. But she has no idea of any of this, and when he doesn't reply she thinks he's fallen asleep.

There's an impressively diverse set of locales and characters, sketched-in but real-feeling; I knew we were in Delhi before it was stated just from the description of the air. The emotional tenor is a bit distanced and chilly. Overall it reminded me of Raymond Carver, but with less striking prose.

Szalay won last year's Booker Prize for Flesh, a novel which sounds really unappealing.

pauamma posting in

dw_dev

It's time for another question thread!

The rules:

- You may ask any dev-related question you have in a comment. (It doesn't even need to be about Dreamwidth, although if it involves a language/library/framework/database Dreamwidth doesn't use, you will probably get answers pointing that out and suggesting a better place to ask.)
- You may also answer any question, using the guidelines given in To Answer, Or Not To Answer and in this comment thread.

S	M	T	W	T	F	S
						1
2	3	4	5	6	7	8
9	10	11	12	13	14	15
16	17	18	19	20	21	22
23	24	25	26	27	28	29
30	31

Other Obscure Etc.

Consensual and non-consensual internet cutoffs

But Won't I Miss Me, by Tiffany Tsao

Excerpt from Stopping By Woods on a Snowy Evening

Building 903, by Lois Lowry (DNF)

I think that about covers it

When We Were Real, by Daryl Gregory

A Set of Sequels: Sovereign, by April Daniels & Prison of Sleep, by Tim Pratt

Turbulence, by David Szalay

Question thread #150

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January 2011

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