keilexandra: Adorable panda with various Chinese overlays. (Default)
Since I rewrote this neatly by hand in my notebook and everything, I might as well post it here, even though it's been almost a month since the con. But be forewarned: my notes are terribly incomplete, particularly regarding modern-day fencing. In bullet form.

Swords )
keilexandra: Adorable panda with various Chinese overlays. (Default)
ALPHA Writers Workshop Debriefing
Panelists: Ann Cecil, John Schmid, Thomas Seay, Wen Spencer, Diane Turnshek (M), Michail Velichansky
The ALPHA SF/F/H Workshop for Young Writers is over. Here's how it went this year, and what the plans are for the future of ALPHA.

I have no idea why Alpha is capitalized as ALPHA, and it's F/SF/H (not SF/F/H). Very fun panel, though. The audience was maybe 80% current Alphans, 10% former Alphans, and 10% parents/friends of Alpha people. So we mostly just had great fun reminiscing. A semi-transcript follows; assume everything is paraphrased unless otherwise noted. Very disjointed, as I'm terrible at reconstruction of full sentences from notes. Please note that I was 15 minutes late, so I missed the beginning.


Ann: Alpha doesn't teach basic writing skills; it makes your writing better and pushes genre tropes.

Wen: Anecdote about meeting Ann at age 19 and needing help from other people to make the jump from self-taught to saleable.

John: High school English often can't help with genre writing, only with the basic things like spelling, grammar, etc. Or with the market aspect.

Wen: Another anecdote about her awesome high school English teacher who didn't know anything about genre but neverthless invited her to her house after school for one-on-one help.

Michail: Alpha focuses on eventually building a real writing career, whereas University creative writing programs often aren't.

Thomas: Cookies! [reference to Ann, our resident cookie lady] Anecdote about people in the U of Kansas MFA program who still aren't ready to submit their work.

John: The social aspect of Alpha is really important--sense of community and the beginnings of a network. [the last bit about networking may be my mind making false associations; not sure]

Diane: prompting various audience cross-intros and discussion

Audience (Julia P.): Horrow writing is dangerous in school. Anecdote about students getting suspended, ordered to counseling.

Thomas: After ascertaining that no newcomers were present, "continue with the in-jokes"! [of which there were plenty]

General mocking of Paolini and Eye of Argon, both of which were...negatively portrayed...in Alpha activities.

Thomas: What did the Alphans learn this year? (at audience)

Audience (Rebecca M.): Loved being able to just hand a manuscript to someone and knowing they'll read it and give critique. [that was the vague idea, I think--notes are kind of confusing]

Ann: Critique="constructive ripping."

Audience (Julia P.): "All my friends are related to Alpha..."

John: "It's not a cult."

Thomas: "Community is such a huge part of Alpha." Then, urging us to make use of almuni contacts.

[other stuff I didn't write down]

Thomas: Talking about the constant need to recruit more guys.

Audience: Men often write plot-driven stories, versus women and character-driven stories. Maybe more male/male-appealing guest authors would help?

Audience (Julia P.): Daunted as a female horror writer--"girls can write scary stuff too."

[more discussion on Eye of Argon, I think]

Ann: Eye of Argon could maybe be saved if rewritten from the girl's point of view.


And then we ran out of time.

Confluence

Jul. 27th, 2007 09:00 pm
keilexandra: Adorable panda with various Chinese overlays. (Default)
I've already bought five things at Confluence, not counting food: the annual t-shirt (decent in dark green and gold with celtic designs), a gorgeous black choker necklace, and three books (The Coyote Road: Trickster Tales, Kushiel's Scion, Odalisque). I'd been specifically looking for the first, but it was a $20 hardcover. The dealer required a minimum $30 purchase for credit cards, so I bought the Kushiel book because I hadn't read it yet and my friend got a Simon R. Green Nightside book. Then I found an "uncorrected proof" trade paperback of Odalisque, which I've been wanting forever, so that was another $10. I'm thinking about going back tomorrow for the first Kushiel trilogy, but their copy of Kushiel's Dart was damaged so I'm not sure (plus, I'm running out of suitcase room and my mom will likely kill me). Maybe a ring from the cheap jewelry vendor, too.

Decisions, decisions.

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